Waltz
With Bashir
-Documentary based on the Lebanon
War and the aftermath
- Directed and Produced by Ari
Folman
The
film Waltz with Bashir follows the journey of Ari Folman and his lost
experiences in the Lebanon War. The movie could be considered a
post-apocalyptic movie as it depicts the horrors of the Lebanon War and the
unpredictable burden it placed on those in the area. The film starts out with
Ari Folman’s friend talking about his experiences and most prolific memories
during the war. His friend asks Ari whether he has experienced anything like
this. He replies no, this is important for Ari , in complete shock his friend
reminds Ari that he witnessed one of the most gruesome parts of the Lebanon
War, the Massacre of the Shatila and Sabra. Departing from the bar Ari is
confused and experiences a flashback of him emerging from the water with fellow
soldiers at night viewing a city barraged with flares and screaming. Efforts to
figure out what this dream means he goes on a series of searches to find and
talk to soldiers in the Lebanon War that could possibly help him rediscover
this lost memory.
The
film was created to introduce the tragedies of war and their outcomes. The
Lebanon War took place in 1982 when 40 years after Lebanon was declared an
independent nation from Israel. Upon creation they received a flux of
immigrants from Jordan and Syria known as the PLO or Palestinian Liberation
Organization. These Palestinians wanted to retrieve the land of South Lebanon
due to cultural and religious ideologies. So they promoted war in the area and
took over South Lebanon with the support of Syria. The Israel government decided
to enact of this seeing as it was a improper reason for civil war. Israel
mobilized against the PLO and other organizations that joined in the fight.
There
was a man named Bashir Gemayel who was a Maronite Christian that helped form
the government and wanted to unite Lebanon with Israel to stop the advancement
of Palestinian nationalist and Syrian support. He was a leader to all the Israelites
and the people of North Lebanon. In the film he was portrayed to be as
notorious as Jesus, having his face plastered everywhere imaginable. Because of
his rising popularity, he was assassinated by an unknown organization. This
angered Israel and North Lebanon and pushed them over the top. As a result,
both forces mobilized into Sabra and Shatila (Palestinian and Syrian groups)
territory and killed them off. This was known as the Massacre of the Shatila
and Sabra, the same event Ari Folman seemed to have forgotten about.
The
documentary being animated utilizes many features that are not available to
actual filming. For example, Ari Folman creates cut scenes of his reoccurring
dream, creating many shades and lighting to reinforce the appearance of
something of importance or unknown. Part of his dream he is walking through a
town and seeing screaming women rushing down a narrow alleyway, all you can see
is their faces screaming in terror. The also allowed Ari to invoke specific
emotions and moods with the use of shading and coloring. Whether it be a
soldier waltzing in a trance of war firing into the abyss that is two dark
towers containing what would be troops as a metaphor for the unimaginable
pressures that are out of reach for soldiers and the rest of humanity. It also
could be the depiction the splendor of nature as beautiful rays of the sun
petering through the trees in a orchard. There is a another element that adds
more details and imagery that cannot be achieved so easily in actual filming.
The
picture used shading to signify importance so the viewer only rests his eyes of
the blaring faces of the crying mob. Also being a documentary he interviews veterans
throughout the film, he frequently animates their memories. It gives more appeal
towards it being fact, since seeing is believing. Along with their memories Ari
also decides to use music to express all the emotions that the veteran felt and
thought during the memories. For example, he would use music expresses the
rapid a changes in emotion, as a soldier is feeling walking through an orchid,
Mozart would come on. As the Mozart would play, there would be a sudden fire
fight, and the music would immediately disappear with the sounds of artillery,
weaponry and mourning. This expresses the changes of war, the peace of nature
and its neutrality for the chaos humans bring upon themselves, very anti-war.
The
audience for this film is directed towards all age groups of countries either
dwelling in war or known to be involved with it. It is a documentary that
signifies the atrocity of war and its impact on humans well after the war is
over. That war not only brings about immediate changes in a nation but also
post changes. Whether it be in government politics, the economy, or the
soldiers and civilians, war has an affect on every single individual in the war
and out. We can see the Lebanon Wars aftermath in present society with Israel
being bombarded with Muslim nationalist. The killing involved for not only
religious aspects, but also social aspects. The documentary contains a message
of the atrocity of war and its effects on society.
Akira
- A
Japanese Anime Film
- Directed
by Katsuhiro Otomo
Akira
is a film developed by a Japanese
director Katsuhiro Otomo. It takes place in Neo Tokyo in 2019 after it had been
reconstructed when it was destroyed in 1988 starting WWIII. The story follows
two characters, Kaneda and his friend Tetsuo. The main plot of the story
involves the Japanese governments desire to take children with psychic powers
and nurture them to become war machines. A problem arises earlier in time when
a child named Akira was becoming too strong so they froze him under Tokyo. This
is important because Kaneda’s friend Tetsuo crashes into one of these children,
who was running from the government and upon collision receives psychic powers.
The government facilitates him and the power envelops Tetsuo to the point that
he goes on a warpath. Destroying society believing it is some game. He searches
to find Akira in order to become the greatest power in the world. Tetsuo’s
thirsty desire for power will meet opposition with Kaneda’s will to save his
friend.
The
movie depicts what war could possibly do to nations. That war may alter nation
ways of protecting themselves and could possibly develop ways to become a world
power, whether it is nukes or kids with psychic powers. It also depicts how power
may become a
catalyst for destruction. Take Tetsuo and his desire to become an ultimate
weapon, it causes chaos in the city, involving the deaths of many innocent
civilians and rises in crazy philosophical themes. The end result was another
destroyed city of Tokyo.
Social
aspect of the film rests on the aftermath of a nuclear holocaust. In Akira, it created
a cyberpunk
society in Tokyo. Cyberpunk is the idea of a highly developed society with poor
living qualities. That even though the unknown explosion happened decades ago,
it still has effects on the society.
Also
the use of Buddhist symbols is used throughout the movie that depicts purity
and unrest in times of chaos. However, it also displays the importance of hope
in these situations, as the near apocalypse was about to occur again, people
banded together behind a wise man screaming gibberish that can only be
described as sacred Buddhist praise. It concludes that some things people hang
on too are the things that will get them through tough times.
The
filmmaker wanted to create an anti-war film to teach audiences about the
horrors that could result in a war. More specifically, I believe it was
directed at the Cold War. Otomo shows that the arms race towards military
supremacy could cause some side affects. The power developed could result in
rash, unrevised decisions between nations to use those weapons to obliterate
their rivals. Take Tetusuo again, his desire to become the ultimate power was
similar to the thinking of U.S. and Russia. However, Otomo decides that the
power was too great and it was unleashed demolishing Tokyo, which is a
microcosm for the world seeing as both the U.S. and Russia had enough nuclear
warheads to blow the Earth +70 times. This possible occurrence could end all
life on the planet, and as Otomo depicts, nature will continue as rays of light
would shed on the destruction of human life.
Otomo
uses animation to express his ideas; he is a renowned creator of Japanese comic
books who turned one of his comics into a movie. The use of animation in this
movie was not only a technological achievement, but an symbolic one. The use of
symbolism and the ease of transitioning into memories and dreams was helpful
for conveying his message. The visuals of the movie were massive; it depicts
explosions from the psychic children (appeared as nuclear bombs), destruction
of towers, bridges and people. The slum of the once prosperous Tokyo could
still be possible even if technology was up to date. To state a message that
technology will not make a society better, it is the people that will. In
addition, Otomo shows the violence in producing weapons of war and what outcome
they could have on society.
The
music was an important element for the movie, as it invoked emotions of love, chaos,
realization and clarity. Especially at the end in the ruins of Japan, where the
forces of nature are consuming Tokyo it was music that was not present when the
city was inhabited by humans. This gave chills as it was a metaphor for the
loss of humanity that could’ve possibly happened during the Cold War
Battle
Royal
- Japanese
Foreign Film
- Directed
by Kinji Fukasaku
The
film is a post apocalyptic film portraying the downfall of the youth in Japan.
The nation of Japan suffered an economic collapse that left many unemployed and
out in the streets. The youth of Tokyo began to start boycotting school in
order to demonstrate their desire to not conform to regular operations. This
further afflicted the economy seeing as there will be less people becoming
skilled workers in the sciences. In order to prevent further economic downfall
the government placed a martial law over the country. The heads of government installed
a law known as The B R Act or the Battle Royal Act. This act allows the
military to take classes of students who demonstrated poor commitment and
intelligence to be sent to an island in an unknown area. On this island, they
would fight to the death until one person remains. If no one dies within each
day, the military would kill all the students. It is a scare tactic to be used
to make the Japanese youth stay in school and develop into adults that will
promote growth in the economy. So a group of 36 students are the participants
in this Battle Royal, however we follow one protagonist and his girlfriend as
they see their school group turn against each other in this gauntlet of
survival. It resembles the book Lord of the Flies as the social structure
between mutual people collapse as barbaric and somewhat tribal instincts
develop.
The
tribal and barbaric instincts that can be resembled in animals in nature is
similar to accounts taken from most wars. For example, All Quiet on the Western Front, a novel written by Erich Marie
Remarque used animalistic qualities to describe the breakdown of humans during
the war. That they had their humanity stripped from them during training camp,
which can be equivalent to the briefing before the battle royal, leaving them
as not humans but animals to survive and cope with the war / battle royal.
The
social aspect of this film resembles the economic prosperity of Japan. That
even the most civilized of societies can take a turn for the worst. As the 36
students chosen to perform the Battle Royal seemed to be a mini society
resembling a civilized nation crumbling apart. It goes to show that a society
where people are thrown into flux and confusion may begin to panic and afflict
themselves with rash decisions and moral irresponsibility.
The
political aspects of the film show that a society thrown into economic insanity
will most likely be susceptible to marshal law. Similar to times of war, in
order to maintain equilibrium in society the government along with the military
takes full control of society. In this case the government invoked fear in
order to gain acceptance and rule, which can be associated with Machiavelli’s The
Prince which depicts that this was
one method a ruler could use to bring about loyalty. It symbolizes the single
importance of individuals were to a government, since Fukasaku was deeply
against the government since youth.
The
director of the film when he was young was drafted along with his class to
create munitions for WWII. Although WWII did not involve battles on the
Japanese country, his class was caught in artillery fire and with no combat
experience what so ever. They were told to use the corpses for their fellow
students for cover fire. After the fact, the director than realized that the
Japanese government mocked the invasion and killed their own civilians, placing
harm and destruction in his pure eyes only for the social support of the
governments want for war.
The
director chooses to have children between middle school and college as a population
to be chosen for the battle royal. The reason behind this is because usually
that teenagers are usually the ones being opposed to conforming to the norm.
They are usually the rebels in society that throughout history are chosen to be
the audience of new social and economic systems. For example, Marx and
Communism has chosen to educate students in particularly at a college level due
to their position of being the runner up to economic levels. So as a rebellious
age group who are still somewhat pure are driven into a situation that is hard
for them to cope with. So it shows the purity of pre adultery stage of life
converting to barbaric stages. For example, it shows young lovers performing
suicide in order to not see their love one suffered. Also depicts the
unproblematic killings between strangers. In addition, seeing the basic
structure between friends collapse due to their difficulty in creating moral
decisions that only comes easy for the wise.
For
the music aspect the director decides to play music like Beethoven, Mozart and
other classical music at certain points in each day. It is a sort of cease fire
period where everyone stops fighting and cooperates with the director of the
island. Information is given to where they are not allowed to travel on the
island. The cease fire along with the soothing music is similar to an
intermission between sports and other gaming events. This connection allows the
idea that war is a game played by the people in power as the soldiers, in this
case the children, are depicted as chess pieces and every so often the
directors needs a bathroom break, intermission?